Category Archives: Women

Slipping between centuries

It’s now a year and a half since my debut novel What You Call Free was published. For most of the time since then I’ve been working on the next novel and I’ve been immersed in 1919: the bright lights of Paris and the depths of Scapa Flow; ghost-filled rugby changing rooms and post-WW1 hospitals where despair meets hope.

I’ve been making early forays into the research for book three too. How did those 1920s aeroplanes ever stay up?

That’s right, they often didn’t.

But the 17th century is calling to me! Between September and January I’m fortunate enough to have a series of opportunities to speak about What You Call Free. As I prepare for these, I remember just how invested I am in the lives of these two real women, Jonet Gothskirk and Helen Alexander.

It’s good to be back.

What You Call Free is available to purchase in paperback and ebook direct from Ringwood Publishing and from your usual book retailer.

For details of forthcoming events see events page.

Ocean Liners: Speed and Style

Round the world with Christina Keith

In November 1925 the SS Empress of Scotland set sail from Southampton across the Atlantic, at the start of a voyage round the world. Among her passengers was 36-year-old Christina Keith, a Classics lecturer from St Hilda’s College Oxford who was on a year’s sabbatical. Independent-minded and always unconventional, Christina was embarking on the voyage alone, writing, ‘I want to meet different people for one year.’

Christina was my great-aunt, and I published her wartime memoir as War Classics. She was born in Thurso in 1889 and studied the male-dominated subjects of Latin, Greek and Classical Archaeology at Edinburgh and Cambridge Universities. Her pioneering early career was interrupted by the First World War, and War Classics recounts her experiences lecturing to the troops in France and exploring the devastated battlefields soon after the guns had fallen silent.

Now, after six years of lecturing in Oxford, she was seeking wider horizons once more. I have the letters she wrote to her mother during her cruise, and they are full of vivid descriptions of life on board a 1920s ocean liner, and the changing world she met at each different port.

That’s why I was so keen to see the Ocean Liners: Speed and Style exhibition at the new V&A in Dundee, and it didn’t disappoint. The exhibition explores the cutting edge design and cultural impact of these legendary ships, and helped me place the story of Christina’s voyage and of her ship – built in Germany as the Kaiserin Auguste Victoria in 1905 – within that wider context.

It was a stunning, if bitterly cold, day for my first visit to the V&A Dundee, with the impressive building looming out of the freezing fog, and the RSS Discovery appropriately enough reflected in (very thin) ice.

I think Christina and I may well have some unfinished business …

© All content copyright Flora Johnston. You may reblog, retweet or share with acknowledgement, but please do not use in any other context without permission.

On that night of all nights every man, drunk or sober, was to find a welcome: Christina Keith, 11 November 1918

 

War Classics cover

War Classics cover

One hundred years ago my great-aunt Christina was behind the lines in Dieppe as a tutor with the army’s education scheme. She describes the day when peace was declared after the four long years which had devastated her generation:

Late in the afternoon I went into the huts to see the men and how they took it. The Base Commandant had sent round word to close the canteens if we wished, as the men might be drunk. But we did not wish. On that night of all nights every man, drunk or sober, was to find a welcome there.

When I went in, they were still sober and the hut was packed to the door. Most of them were singing and some few laughing and talking. Would you like to know what they sang? No ‘Rule Britannia’ or ‘God Save The King’ – English soldiers rarely sing either unless they are bidden. No – it was a chorus we were to hear every day for the next six months, with varying emphasis – ‘When do we go home?’, each word punctuated by thumps of mugs on tables, and the last word raised the roof.

At night they were many of them drunk, and the sober ones, with thoughts of the punctilious WAACs with whom they were dancing, were for turning the drunks out. ‘No, no,’ said the Hut leader firmly, ‘let the drunks dance by themselves in this corner.’ So, sometimes three together, sometimes the orthodox two, sometimes one, the drunks danced merrily in their corner; whenever one, well meaning but nothing more, lurched out to grab a WAAC, he was hastily but tenderly shepherded back by a stronger comrade.

 Outside bells blared; flags flew; bands played; at every window in the Grande Rue faces looked out, laughing, crying. In the distance the Marseillaise came rolling down and its echo ‘It’s – a – long – way – to – go.’

I stole into the Cathedral. Over the altar hung our flags, quiet and still. There was no need to wave them now. Utter quietness here and one spot of light only. In the chapel at my side lay the empty tomb and the marble watchers beside it. The figure of the risen Christ was outlined and ringed with light. Never have I seen so many candles ablaze together. Beneath Him in the darkness knelt clusters of black-robed women. Peace had come.

From War Classics: the remarkable memoir of Scottish scholar Christina Keith on the Western Front, edited by Flora Johnston

© All content copyright Flora Johnston. You may reblog, retweet or share with acknowledgement, but please do not use in any other context without permission.

 

Putting flesh on the bones

This story was on the news yesterday, timed for Halloween. Forensic artists have recreated the face of one victim of the Scottish witchhunt. Lilias died in 1704, possibly having committed suicide, after being interrogated and tortured for supposed witchcraft.

Lilias

There’s a scientific wow factor about the story, but I find it really chilling.

She’s just an old lady, somebody’s neighbour, granny. She looks like one of us. You wouldn’t look twice at her in the street. She doesn’t look like a ‘witch’, but more to the point she doesn’t look like someone from THE PAST. She just looks like one of us.

I guess that’s what as a writer I’m often trying to do. To take away the sense of the other, to reconnect with people who walked through this landscape at a different point in time.

To put flesh on bones.

 

© All content copyright Flora Johnston. You may reblog or share with acknowledgement, but please do not use in any other context without permission.

#100womenwiki : Christina Keith

 

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#100womenwiki is a 12 hour ‘edit-a-thon’ taking place today (8 December) with the aim of adding more women to wikipedia. At present only around 17% of notable profiles on wikipedia are of women, and  today is about  encouraging people across the globe to consider whether there are women who should be included and are currently missing. I read about the initiative on the BBC website  and decided to try submitting an article on Christina Keith, whose First World War memoir I edited and published as War Classics: the remarkable memoir of Scottish scholar Christina Keith on the Western Front. It was less complicated than I expected, and you can now read Christina’s wikipedia page here!

 

Reflections of Newcastle 1914-18

I was interested to come across the Reflections of Newcastle project, which seeks ‘to explore the intellectual, cultural and social life of Newcastle during the First World War, concentrating in and around the Lit & Phil.’ It has a lot of resonance with my researches into Christina Keith’s life immediately before she set off for France.

I visited the Lit & Phil building in Newcastle as part of my research for War Classics: the remarkable memoir of Scottish scholar Christina Keith on the Western Front. Christina’s first job was as Classics lecturer at Armstrong College, Newcastle, but as soon as she took up the post in 1914, war was declared. The College was requisitioned for use as a military hospital and the department decamped to the Lit & Phil building. Christina lived and worked in Newcastle all through the war years until 1918, when she set off for France to take part in the army’s education scheme under the direction of Sir Henry Hadow, who had been Principal of Armstrong College.

There’s more information about Reflections of Newcastle 1914-18 here.

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The entrance stairway of the Lit & Phil, Newcastle

© All content copyright Flora Johnston. You may reblog or share with acknowledgement, but please do not use in any other context without permission.

Sir Walter Scott and Christina Keith

1814 – 1914 – 2014. Another anniversary.

BOOK-GreatScott

When I started work on Christina’s wartime memoir, War Classics, I didn’t know that it would end up being published in 2014, amid all the tv programmes, books and events commemorating the 100th anniversary of the outbreak of the First World War. In some ways – as you’ll know if you’ve read the book – her story will be even more relevant in 2018, when the focus of commemorations should shift to the transition from war to peace. I love Christina’s own account of Dieppe on the day peace was declared – the music playing in the streets, the rowdy, joyful army huts, the hushed stillness of the cathedral, and finally her walk down by the shore, thinking of the naval base at home in Thurso.

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The shore at Dieppe

Recently, particularly here in Edinburgh, another anniversary has been marked, which also has relevance to Christina’s life and work. 2014 is the 200th anniversary of the publication of Sir Walter Scott’s first novel, Waverley. Christina’s final book was her study of Walter Scott, The Author of Waverley, which she finished shortly before she died and which Barrogill saw through publication.

Author of Waverley

The Author of Waverley: a study in the personality of Sir Walter Scott, by Christina Keith

Walk through Edinburgh’s Waverley station today – apparently the only railway station in the world to be named after a novel – and you’ll see quotes by Scott on the walls, windows and floor. These are part of a wider Great Scott! Campaign, organised to mark both the publication of Waverley and 10 years of Edinburgh’s status as the world’s first Unesco City of Literature.

There are a lot of ‘world firsts’ here, because Waverley is often said to be the world’s first historical novel.  Here I should maybe confess that I haven’t actually read it. Oops. I’m doing a lot of Covenanter-related research for a new book, so have recently read Old Mortality, but I will make sure I read Waverley before the end of 2014.

This whole train of thought (no pun intended – I blame my brother-in-law) was sparked in my mind when I received an email from someone who has read War Classics, and as a result is interested in Christina’s other writing, and is now reading The Author of Waverley. I’m so pleased to think that publishing her memoir has led someone to discover Christina’s other work. And the fact that all this takes place in the 200th anniversary of the publication of Waverley just seems to be yet another of those perpetual coincidences which make exploring history such fun!

© All content copyright Flora Johnston. You may reblog or share with acknowledgement, but please do not use in any other context without permission.

War Classics review in The Hindu

There’s an interesting article in The Hindu today. It groups War Classics with several books which approach the First World War from a different angle.

Witness to the truth – The Hindu.

1914 by Jean Echenoz

World War I spawned literature of various hues. One hundred years later, we still grope for meanings and explanations. Here are a few books that give us some indication of the pointless nature of the Great War, told by individuals who either experienced it firsthand or wrote about it later.

War Classics: The Remarkable Memoir of Scottish Scholar Christina Keith on the Western Front by Flora Johnston talks about a woman from upper class Scottish society, a lecturer in Classics, who went to live and struggle with common soldiers as a teacher with the army’s education scheme in France. The memoirs tell of the role played by thousands of men and women behind the lines to support the war and opens up a whole new world that lay just a few miles from the front. Keith also travelled across the devastated war zones after the Armistice and spoke of “a dream world, where everything happened… on a background of infinite horror”. She met the soldiers who had survived, saw tanks, clothing and weaponry lying littered across the battlefields of Europe and the war graves consisting of rough wooden crosses stuck in yellow mud and water.

I don’t think Christina was setting out to portray the war as pointless, but I do think her descriptions of the devastation it caused have real power – in part because they are written from a different viewpoint to most other commentators. The article concludes, We need books like these to approach the truth.

© All content copyright Flora Johnston. You may reblog or share with acknowledgement, but please do not use in any other context without permission.